Frustrated with his career as a working yet fairly anonymous life as a screenwriter Tom Benedek found a new art project that transforms his hundreds of paid for, but un-produced scripts: he shoots holes in them then exhibits them as art.
Pow! Pow! Pow! Pow! Pow! Five ear-splitting cracks ring through the cavern, and a flurry of paper - like tiny white feathers - wafts to the floor.
"That's 'Ivory Joe,' " says the screenwriter Tom Benedek, who has just pumped bullets into one of his 22 unproduced scripts. "It's a rewrite of an adaptation I did after 'Free Willy' for Lauren Shuler Donner," he adds, referring to a well-known producer. "A romantic comedy-drama."
Many a Hollywood screenwriter has bemoaned the brutal Darwinism of the movie business, has felt the dull pain of too many pages and too many years of orphaned work unproduced and unrecognized. Few, however, have found the path of catharsis and creativity discovered by Mr. Benedek.
After 20-plus years of a middling career as a Hollywood screenwriter, Mr. Benedek, 56 - the brother of Peter Benedek, a partner in the United Talent Agency - is forging a new path in the field of fine arts, using the raw material of his past failures for a canvas. Having shot the "Ivory Joe" script, which he wrote in 1992, Mr. Benedek will make it into a bronze sculpture, or take photographs with a special camera for striking jumbo prints. He will show these and other pieces this month in an exhibition at the Frank Pictures gallery in Santa Monica titled "Shot by the Writer - Works on Paper: 1982-2004."
In the Hollywood hierarchy, the screenwriter is Everyman, an undervalued cog - albeit a well-paid one - in the whirring entertainment machine. Mr. Benedek's move to take control of his own work sounds like a dark fantasy for many of the movie world's ink-stained wretches.
But he prefers to call it closure rather than catharsis. "Sometimes it's fun," he said, as the harsh smell of gunpowder still lingered. "Sometimes it's sad. When I look at the exit wounds, and the paper and the words exploded by the bullets as I photograph them, it feels like I'm taking the words back."
Mr. Benedek said the project started when he realized he had run out of storage space in his garage, which was filled with 20 years of script projects, both produced and unmade. Among those that did become films were "Cocoon," "Free Willy" (for which he did not receive a credit) and "The Adventures of Pinocchio."
*****
Initially, he considered chopping the scripts into small cubes with a table saw and filming the process. Then he had a vision of one of his scripts, riddled with bullets, bronzed.
Those planning on visiting Mr. Benedek might want to call first: it probably isn't a good idea to surprise him.
