The three finalists each received $5,000. They include: Tessa Hadley's Sunstroke and Other Stories and Vincent Lam's Bloodletting & Miraculous Cures.
The award is given annually for "an outstanding work of short fiction." The $20,000 award Shepard received, in addition to an engraved silver bowl, is the largest first-prize amount of any annual U.S. book award for fiction.
Here is what The Story Prize had to say about Shepard's short story collection.
Like You'd Understand, Anyway, Shepard's third short story collection, encompasses eleven narratives, each set in a different time and place, including: the Soviet Union in the aftermath of the Chernobyl nuclear disaster, an outpost in Britannia in the late Roman empire, a Nazi expedition in Tibet, high-school-football-mad contemporary Texas, an 1840 expedition to the center of Australia, ancient Greece at the battle of Marathon, and Paris during the reign of terror that followed the French Revolution. Previous collections have featured similarly diverse settings and characters, meticulously researched and convincingly portrayed.
Saudi Arabia is slowly inching its way into the 21st century: it is holding its first film festival.
Saudi Arabia is inching toward opening itself up to the film biz with the creation of the conservative kingdom's first official film fest, despite the fact that cinemas have been banned there for three decades.
Five-day fest, as-yet-untitled, is being organized by the government-sponsored Dammam Literary Club along with the Saudi Society of Arts and Culture.
Event will unspool May 20 and include screenings of shorts and docs from around the Gulf. A prize dubbed the Palm will be awarded to best short and doc.
The Dammam Literary Club has been hosting select, private screenings to segregated audiences of men and women in recent months in a sign that the ban's restrictions are being gently eased.
The new fest comes on the back of a number of baby steps introduced in Saudi Arabia to pave the way for the eventual lifting of the cinema ban, initially introduced towards the tail-end of the 1970s following pressure from religious authorities.
In October 2005, the first public screenings of any kind in over 20 years took place when a selection of cartoons were shown in a hotel in Riyadh to a specially invited audience of women and children to celebrate the end of the holy Muslim month of Ramadan.
Let's see. Women can't drive there or go out of their houses without being veiled from head to toe and accompanied by a male relative. Celebrating Valentine's Day is against the law. But hey, it's a start.
The New York Timesexamines the phenomenon of the bestselling Maximum Ride young adult sf series by James Patterson.
Three years ago James Patterson, the creator of the blockbuster best-selling Alex Cross and "Women's Murder Club" series, began "Maximum Ride," a series for young adults about a group of genetically mutated kids who are part human, part bird. The idea, he said, was to get children to love reading - or at least to love reading his kind of books.
Two of the books in Mr. Patterson's "Maximum Ride" series.
Of the three installments to date, there are about 4.8 million copies in print, according to the publisher, Little, Brown & Company. Despite the kind of numbers that would make most authors beam, Mr. Patterson - who has an estimated 150 million copies of his books in print worldwide, and whose adult novels typically outsell his young-adult titles by two or three to one -- wants to sell more. A lot more.
Now, with a new volume, Maximum Ride: The Final Warning, going on sale next month, Mr. Patterson figures the best way to get young readers may be through their mothers.
"The reality is that women buy most books," he said in a telephone interview. "The reality is that it's easier, and a really good habit, to start to get parents when they walk into a bookstore to say, 'You know, I should buy a book for my kid as well.'"
As a result, Little, Brown has asked booksellers to commit to keeping the new Maximum Ride book - along with The Dangerous Days of Daniel X, the first title in a new young-adult series, due out in July -- at the front of their stores as long as Mr. Patterson's adult titles usually stay there, in the hope of luring more adult buyers.
We've read one of the books in the series and enjoyed it. We think it should cross over just fine to readers who like a little sf in their adventure stories.
Tom Sleigh Wins $100,000 Kingsley Tufts Poetry Award
Poet Tom Sleigh has won the $100,000 Kingsley Tufts Poetry Award for his collection of poetry called Space Walk. The Associated Press says the prize is given to a poet who "who is past the very beginning but has not yet reached the acknowledged pinnacle of his or her career."
Janice N. Harrington's "Even the Hollow My Body Made Is Gone," a debut collection, received the $10,000 Kate Tufts Discovery Award.
Administered by Claremont Graduate University, based in Claremont, Calif., the awards were established in the early 1990s by Kate Tufts in honor of her late husband, poet Kingsley Tufts. Previous winners include Alan Shapiro, Carl Phillips and Michael Ryan.
You can read about the Kingsley Tufts Poetry Award and the Kate Tufts Discovery Award here on the official website. You can read about poet Kingsley Tufts here.
USA Todayreports that bestselling thriller novelist Patricia Cornwell is donating $1 million to the John Jay College of Criminal Justice in New York. The college will establish a new academy to teach forensic techniques. Cornwell is appaled at some of the actions she's seen police investigators take at crime scenes.
"I've seen cops walk through blood. I've seen them leave their own fingerprints on a window," Cornwell said in an interview Friday. "I've seen bloody clothing put in a plastic bag, instead of a paper bag, so it decomposes."
Her funding will help start the Crime Scene Academy at New York's John Jay College of Criminal Justice, set to open this fall with training in DNA typing, fingerprint enhancement techniques, ballistics and forensic psychology.
The 51-year-old author has written more than a dozen books featuring Dr. Kay Scarpetta, a medical examiner. Her latest is Book of the Dead.
USA Today also said that Cornwell is laying much of the blame for the poor crime scene techniques on tv and movies.
Masked gunmen stole four paintings worth $164 million from a Zurich museum, shocking the art world. The heist was the biggest art robbery in the history of Switzerland.
Oil paintings by Cezanne, Degas, van Gogh and Monet were stolen in broad daylight on Sunday from the private Buehrle Collection in the second dramatic art theft in the area within days.
"This is the biggest robbery in Switzerland in an art museum and one of the biggest art robberies in Europe," said Peter Rueegger, head of investigations for the Zurich police.
Three men in dark clothing and masks, one of whom spoke German with a Slavic accent, forced their way into the museum and made off with the paintings in a white car, police said.
A reward of 100,000 Swiss francs was on offer for information leading to their arrest, police added.
Rueegger said the Zurich robbery could be compared to the theft of Norwegian artist Edvard Munch's "The Scream" from the Munch Museum in Oslo nearly four years ago. That work was recovered in 2006.
The robbery in Switzerland's financial capital follows the theft of two Picasso paintings -- Tete de Cheval, from 1962, and Verre et Pichet, from 1944 -- from a nearby cultural centre last week.
They said it was possible a white vehicle had also played a role in this incident and that they would investigate whether the two thefts were connected.
The four paintings stolen were Cezanne's "The Boy in the Red Vest" from 1890, Degas' "Viscount Lepic" and His Daughters from 1871, Monet's "Poppies Near Vetheuil" from 1880 and Van Gogh's "Blossoming Chestnut Branches" from 1890, police said.
Pictured is Monet's "Poppies Near Vetheuil." We are really stunned at the audacity and frequency of these major art thefts. What is going on, anyway? The paintings are so famous that they could only be resold to a private collector who would never show the art to anyone else. We think security at major museums needs to be stepped up in Europe. These paintings are part of our cultural heritage and need to be preserved in museums so everyone can see them.
French writers have launched a new international script market to help gain exposure for their work.
The Union-Guilde des Scenaristes (UGS) has teamed up with the Ile de France Film Commission to launch the Script Market, a website aimed at selling French scripts to international producers, directors and actors. Project was unveiled before an audience comprised mostly of European and American producers during a breakfast at the Ritz-Carlton Hotel Monday.
"We want to develop our talents and develop them with overseas producers in order to (make) films that are local stories rooted in France with an international appeal," said Jerome Soubeyrand, UGS co-president.
The website fits the commission's agenda to attract more overseas productions to shoot in France. The Gallic organization is also planning to team with the French Alliance Marseilles Provence to centralize its marketing strategy and coordinate shoots, since so many foreign productions are filmed in both regions.
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Luc Besson's project to build a full-service production facility in the Parisian suburb of Seine St. Denis is also expected to attract international productions.
The commission hopes their push to get the French government to offer foreign shoots bigger tax breaks will help them compete globally.
In other screenwriting news, the writer's strike is just about over. The members are voting today on whether to end the strike based on the deal reached between the WGA and the AMPTP. That means writers will probably be back to work on Wednesday. It also means that there will be some decent television on this fall.
The WGA writers strike could end as soon as Monday reports the Associated Press. Writers are gathering for meetings in Los Angeles and New York this weekend to consider a proposed contract.
Juno Film Creates Buzz For Songwriter Barry Louis Polisar
The Baltimore Sunreports that the success of the Juno film has helped songwriter Barry Louis Polisar's career. His song "All I want Is You" is played at the opening credits of the film. It is also the first song on the movie soundtrack. The article says Polisar's MySpace page has benefited from people searching for information about the song.
He worried about how his 1977 song "All I Want Is You" would be featured in the then-newly released "Juno" -- and whether more than 30 years as a children's author and entertainer would be tarnished by a momentary mocking of his work on the big screen.
As it turns out, that "Juno" spot has garnered the Silver Spring, Md., resident more mainstream attention than any previous milestone, which included playing at the White House and hosting a nationally syndicated children's show.
Polisar's MySpace page, which had 15,000 hits before the release of the film, has had about 150,000 since. Visitors have downloaded "All I Want Is You" from the page nearly 30,000 times. His song is referenced on Google 7,900 times and has been featured on YouTube.
What's more, eight couples from around the country have contacted Polisar requesting permission to use his song during their wedding -- including two couples from California who offered to fly him out to sing it.
"It's a real eye-opener what national exposure can do," said Polisar, 53, still amazed at how one motion picture has made a contemporary hit of a song that he released when Jimmy Carter was president.
In addition to songwriting, Polisar has also spent the last 30 years as a children's author and entertainer according. You can learn more about Barry Louis Polisar on his website. He has also set up a Juno page that says "Yes, that is Barry's song in Juno." The L.A. Times also has a story about Bary Polisar and Juno.