Hitting the financial jackpot, it appears, may have created some headaches for YouTube, the wildly popular video-sharing Web site that has agreed to be bought by Google for $1.65 billion in stock. The site late last week began purging copyrighted material from Comedy Central, including clips from YouTube stalwarts like 'The Daily Show With Jon Stewart, The Colbert Report and South Park.

The action was "a result of third-party notification by Comedy Central," according to one such e-mail message sent to a YouTube user, Jeff Reifman, who broke the news on the Web site NewsCloud. A week earlier, nearly 30,000 clips of TV shows, movies and music videos were taken down after the Japanese Society for Rights of Authors, Composers and Publishers cited copyright infringement.

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In an interview with Wired magazine in September 2005, Mr. Stewart explained his view: "We get an opportunity to produce this stuff because they make enough money selling beer that it's worth their while to do it. I mean, we know that's the game. I'm not suggesting we're going to beam it out to the heavens, man, and whoever gets it, great. If they're not making their money, we ain't doing our show."

Usage: 'Google' as noun referring to, well, us.

Example: "I just love Google, they're soooo cute and cuddly and adorable and awesome!"

Our lawyers say: Good. Very, very good. There's no question here that you're referring to Google Inc. as a company. Use it widely, and hey, tell a friend.

Usage: 'Google' as verb referring to searching for information on, um, Google.

Example: "I googled him on the well-known website Google.com and he seems pretty interesting."

Our lawyers say: Well, we're happy at least that it's clear you mean searching on Google.com. As our friends at Merriam-Webster note, to "Google" means "to use the Google search engine to find information about (as a person) on the World Wide Web."

Usage: 'Google' as verb referring to searching for information via any conduit other than Google.

Example: "I googled him on Yahoo and he seems pretty interesting."

Our lawyers say: Bad. Very, very bad. You can only "Google" on the Google search engine. If you absolutely must use one of our competitors, please feel free to "search" on Yahoo or any other search engine.

Is there any way to fix the ripped Picasso? Yes, but it will be slow and tedious work. The torn ends of the canvas can probably be lined up, and conservators can identify matching fibers on either side of the rip by inspecting them under a microscope. In general, you can expect the wefts in the fabric?that is, the crosswise yarns of the weave?to split at the site of the impact. The lengthwise warps tend to get stretched out, but they may not break.

The rip itself can be mended in a few different ways. First, the conservator can line up the torn ends and affix them to a new piece of fabric that lines the back of the painting. She might also try to attach the torn ends to each other using a method called Rissverklebung, in which individual fibers are rewoven back into place.

To reweave the warps and wefts, you have to figure out the proper placement of each individual fiber. Bits of paint that are stuck to the fibers must be glued in place or removed until the reweaving is complete. (Conservators map out the location of each paint flake they remove so it can be replaced in precisely the right spot.) Because an accident will stretch out some fibers and fray others, you sometimes have to tie off and shorten some threads while attaching new material to lengthen others. Threads attached to the back of the canvas will reinforce the seam.

Closing the tear is only the first part of the process. An accident like Wynn's can damage the painting in other places by stretching the fabric and distorting the image. To correct for these planar distortions, the conservators try to change the lengths of individual fibers or small patches of the canvas. Applied humidity can make a fiber expand across its diameter and shrink across its length?and tighten up distended parts of the weave.

Penguin, however, is the first major publisher to dip its toe into the virtual world and, appropriately, it has chosen Neal Stephenson's Snow Crash as the book with which to test the waters. With its invention of the notion of a "metaverse" (a contraction of "metaphysical universe") it is acknowledged as the inspiration behind Second Life and other virtual worlds. "It was the obvious entry point," says Penguin's Ettinghausen (avatar name Jeremy Neumann) as he shows me around the virtual sampler of Snow Crash. "We are always looking for new ways to connect with online communities and Second Life is undergoing a huge amount of growth. However, it is still a small community when compared with MySpace or iTunes and we wouldn't want to bring authors in who didn't have a connection with that world yet."

Penguin worked with the London-based virtual world design agency Rivers Run Red to create an in-world version of the book - this offers readers excerpts of the text, an audio clip and a link which clicks through to a dedicated Second Life page on the Penguin website, complete with the opportunity to buy the book at a discount. They are now developing a virtual bookshelf of other Penguin titles for the Second Life resident.

Although slow to load (and many of the objects in Second Life suffer from a frustrating delay known as "lag"), the Snow Crash sampler is a neat offering from a company which appears, wisely, to have taken a softly-softly approach to engaging with the online community. The crucial factor, perhaps, is that Ettinghausen, who devised the initiative, had already been a resident of Second Life for six months, and came to the project with an insider's understanding of this sometimes mind-boggling new environment.

He is also aware that there is some disquiet among longer-term Second Life residents about perceived bandwagoning by large corporations and the increasing amount of big brand advertising in their world.

A friend rings and tells me that my novel Into the Woods (David Fickling Books) is at 2,993 in the Amazon rankings. This is like offering crack cocaine to a recovering drug addict. I have been trying to wean myself off my obsession with the Amazon rankings. I'm not quite ready to go cold turkey, but I am desperately trying to limit myself to just one hit a day.

Why are we first-time authors so obsessed with the Amazon rankings? Partly because, like pretending to do your tax return or essential research, it offers yet another displacement activity to avoid the real hard business of writing. But it's also because once your book is out there, all alone in the big wide world, you desperately want to know if it's thriving or has got completely lost - and for a considerable period nobody can tell you.

The Amazon rankings are something to cling to, even though you know in your heart and head that they are both meaningless and psychologically damaging - unless you are a consistent bestseller like Jacqueline Wilson or God. (I have taken ridiculous and entirely childish comfort from the fact that that while the King James Bible sits many thousands of places above Into the Woods in the rankings, it only has an average 4.5-star customer review rating, while my novel has five).

In fact an Amazon ranking pretty well tells you nothing at all unless you are an Amazon sales executive or the kind of person who, when logging on with the intention of buying Into the Woods suddenly decides that The Institute of Electrical Engineers On Site Guide (BS7671: 2001 16th Edition Wiring Regulations Including Amendment 2: 2002) might be a far better read because it sits at number 69 in the top 100. I suppose for some readers there is probably a perceived safety in numbers.

A Boy Scout is trustworthy, loyal, helpful, etc., etc. He is also respectful of copyrights. Boy Scouts in the Los Angeles area will now be able to earn an activity patch for learning about the evils of downloading pirated movies and music. The patch shows a film reel, a music CD and the international copyright symbol, a "C" enclosed in a circle. The movie industry has developed the curriculum.

"Working with the Boy Scouts of Los Angeles, we have a real opportunity to educate a new generation about how movies are made, why they are valuable, and hopefully change attitudes about intellectual property theft," Dan Glickman, chairman of the Motion Picture Association of America, said in a statement Friday. Scouts will be instructed in the basics of copyright law and learn how to identify five types of copyrighted works and three ways copyrighted materials may be stolen.

Scouts also must choose one activity from a list that includes visiting a movie studio to see how many people can be harmed by film piracy. They also can create public service announcements urging others not to steal movies or music. Many of the Scouts in the Los Angeles area come from families whose members are somehow connected to the region's sprawling entertainment industry, said Victor Zuniga, a spokesman for the Los Angeles Area Council.

The program is being introduced to the 52,000 Scouts in the Los Angeles area, with plans to offer it to other California councils early next year. The program will reach Scouts ages 6 to 21. Unlike a merit badge, an activity patch is not required to advance in the Scouts. Instead, they are awarded for various recreational and educational activities, such as conservation or volunteering at a food bank.

1. Use up all your good ideas. "Collect all the notes you've made on index cards, and put all the good ideas you haven't used yet in the last volume because you can't say you'll put them in the next book. I had a sign over my desk that said 'Now or never.'"

2. Kill off at least one person. "I just think death always makes a nice ending, except maybe to my life. Well, I definitely plan on dying later. I just haven't worked out the details."

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5. Have something in mind to do when you are done.

Amy Crump, director of the Marshall Public Library, said once the new policy is place the two books will be reconsidered for circulation under the new guidelines, "as if they were new." Fun Home and Blankets were challenged earlier this month by a Marshall patron who claimed the books were inappropriate because of explicit graphics.

Crump said this is the first time any book has been challenged by a library patron, "which is probably why we've never had a selection policy." She said the new policy,"is not aimed at just these two books," and once implemented, "we'll be able to make decisions about all kinds of books." The materials selection committee will include six of the eight members of the board and two or three library staffers experienced in collection development, said Crump. "The committee will consult with other libraries about their policies and with attorneys," she said. The process of developing the guidelines and gettting approval by the board will take a minimum of two months.

The Marshall library has approximately 75 graphic novels in its collection. All books, including graphic novels, are placed in adult, young adult or children's sections as appropriate. Fun Home, Bechdel's story of growing up a lesbian with a closeted gay father, was placed in the adult nonfiction section, said Crump, while Blankets, an autobiographical story about Thompson's Christian fundamentalist childhood, was originally in the young adult section.

The computer keyboard helped kill shorthand, and now it's threatening to finish off longhand. When handwritten essays were introduced on the SAT exams for the class of 2006, just 15 percent of the almost 1.5 million students wrote their answers in cursive. The rest? They printed. Block letters.

And those college hopefuls are just the first edge of a wave of U.S. students who no longer get much handwriting instruction in the primary grades, frequently 10 minutes a day or less. As a result, more and more students struggle to read and write cursive. Many educators shrug. Stacked up against teaching technology, foreign languages and the material on standardized tests, penmanship instruction seems a relic, teachers across the region say. But academics who specialize in writing acquisition argue that it's important cognitively, pointing to research that shows children without proficient handwriting skills produce simpler, shorter compositions, from the earliest grades.

Scholars who study original documents say the demise of handwriting will diminish the power and accuracy of future historical research. And others simply lament the loss of handwritten communication for its beauty, individualism and intimacy.

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There are those who say the culture is at a crossroads, turning permanently from the written word to the typed one. If handwriting becomes a lost form of communication, does it matter? It was at U-Va. that researchers recently discovered a previously unknown poem by Robert Frost, written in his signature script. Handwritten documents are more valuable to researchers, historians say, because their authenticity can be confirmed. Students also find them more intriguing.

"They feel closer to that person as an actual human, that somebody actually wrote that just like me," said Jim Mohr, a professor of U.S. history at the University of Oregon at Eugene, who wrote a book on diaries from the Civil War. "There's a kind of personal authenticity to individual writing that's hard to capture any other way."

The modern poetry site, called iPoems, became available to the public last week, 57 Productions spokesman Philip Abraham said. About 1,000 readings from poetry written in English are available for 95 cents for each audio poem and $1.80 for a video poem.

The company offers a free one-month trial membership. After that, subscriptions are $18 a year. One featured artist is Jean "Binta" Breeze who performs a Caribbean version of Geoffrey Chaucer's "Wife of Bath" tale.

Britons are increasingly tech-savvy but are still bamboozled by tech jargon.

According to research from Nielsen/NetRatings, people are buying cutting-edge technology but often don't understand the terms that describe what their device actually does.

So while 40% of online Britons receive news feeds, 67% did not know that the official term for this service was Really Simple Syndication.

Terms such as podcasting and wikis are still meaningless to many.

A talented cake-ist made this beautiful wedding cake in the form of the Great A'Tuin, the galactic turtle on whose back the four elephants that support Terry Pratchett's Discworld stand. The cake A'Tuin has marzipan elephants that support a rolled fondant icing Discworld with hand-painted landmasses and miniature cities.

The main board is covered in a thin layer of black marzipan, and the turtle is given a coating of metallic colours, with dark cratering effects added. Finally the Disc is positioned on top of the elephants. A wire arc is inserted through the Rimfall collar, to produce an orbital path for the Sun and Moon.